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| Philip Baldwin Monica Guggisberg |
| Monica Guggisberg 1955, Bern Philip Baldwin 1947, New York Philip Baldwin 1970 Bachelor of Arts, American University, Washington DC 1979 Grants of Ludwig K.Vogelstein Foundation and Ella Lyman Cabot Trust, Cambridge, Massachussets, USA 1980 National Endowment for the Arts, Washington DC Monica Guggisberg 1974-1977 Apprenticeship in lampworking Zofingen 1978-1979 Own studio in Bern 1980 Study Grant, Canton of Bern 1982 Prix de la Fondation de la Vocation, Genève Baldwin + Guggisberg 1979-1980 Orrefors Glasskolan, Orrefors/Sweden 1979-1981 Assistants to Wilke Adolfsson and Ann Wolff, Transjö, Sweden 1982-2001 Independent Glass Studio in Nonfoux/CH 2001- Independent Glass Studio in Paris Design Collaboration 1995- Venini, Venice 1996- Nestlé, Vevey 1985-1994 Rosenthal Glas & Porzellan AG, Selb 1989-1990 Hergiswil Glas, Hergiswil, CH 1989-1995 Steuben Glass, Corning/NY, USA Awards 1999 “Grand Prix des arts Appliquées 1999”, de la Fondation vaudoise pour la promotion et la création artistique, Lausanne 1998 Federal Commission for Applied Art, Switzerland 1994 IKEA Foundation (Schweiz) 1990 Prix "Jeunes Créateurs" de la Fondation vaudoise pour la promotion et la création artistique, Lausanne 1988 Commission for Applied Art, Canton of Bern 1985 Departement of Agriculture, Industry and Trade, Canton of Vaud Distinctions 2000/1999/1997 International Design Yearbook Selection 1997 Bavarian Stateprize, (Goldmedal), Munich, Germany 1994/1996/1998 New Glass Review 1992/1994/1995/1989 International Design Yearbook Selection 1987 Honorable Mention, Industrial Design Magazine Design-Auswahl'87, Design Center Stuttgart, Germany Design-Innovationen'87, Essen, Germany 1984/1985 New Glass Review Collections American Craft Museum, New York Musée Ariana, Genève Musée des arts décoratifs, Paris Mu.dac, Lausanne (musée du design et d'arts appliqués contemporains) Museum Bellerive, Zürich Musée du Verre, Sars Poteries Carnegie Museum of Art, PA Chrysler Museum, Norfolk VA Corning Museum of Glass, Corning Denver Art Museum Die Neue Sammlung, München Eretz Israel Museum, Tel Aviv Ernsting Stiftung Alter Hof, Coesfeld-Lette Fond Cantonal de Décoration, Genève Fond Cantonal de Beaux Arts, Lausanne Glasmuseum Ebeltoft Gewerbemuseum Winterthur Houston Museum of Fine Arts, Houston, TX Kornhaus Bern Kunstsammlungen der Veste Coburg Museum für Kunsthandwerk Berlin Museum für Kunsthandwerk, Hamburg Swiss National Collection of Applied Art The Toledo Museum of Art, Toledo, OH Wustum Museum of Fine Arts, Racine ,WI Selected Exhibitions (P = personal exhibition) 2003 Tampa, Baisden Gallery (P) Den Haag, Etienne & van den Doel (P) Royal Oak MI, Annual Invitational, Habatat Galleries, (cat.) Zürich, Sanske Gallery (P) 2002 Ebeltoft, D,Battuto 2002, Ebeltoft Glasmuseum (P),(cat.) Kijkduin, NL, Boulevard des Sculptures, (cat.) New York, Gallery Barry Friedman (P) Öland, Borgholm Castle, “Global Art Glass”, (cat.) Aosta, Glass Way, Museo Archeologico, (cat.) The Rachael Collection, Aspen (P) Louisville, Glassworks Gallery, KT 2001 Tel Aviv, Eretz Israel Museum (P), (cat.) Paris, Eclat du Verre (P) Bejing and Shanghai, Habatat Galleries, (cat.) Pontiac, Annual Invitational, Habatat Galleries, (cat.) Kijkduin, NL, Boulevard des Sculptures, (cat.) Chicago, Portia Gallery (P),(cat.) Den Haag, Etienne & van den Doel (P) Beaver Creek, Pismo (P) 2000 Kentucky, “Millenium Glass”, Kentucky Art and Craft Foundation, (cat.) Pontiac, Millenium Exhibition, Habatat Galleries, (cat.) Cincinnati, Marta Hewitt Gallery (P) Zulte, Belgium, Goed Werk Gallery (P) Atlanta, Fay Gold Gallery (P) 1999 Chicago, Gallery Portia (P), (cat.) Den Haag, Gallery Rob van den Doel (P) Öland, Borgholm Castle, “Global Art Glass inSweden 1999”, (cat.) Zürich, Sanske Gallery (P) 1998 Zürich, Sanske Galerie (P) Sinzheim, Galerie B (P) Kunsthalle, Bern, “ We Never Promised You A Rose Garden” Venezia, Galleria San Nicolò, “Making Connections” (P) Venezia, “ Venezia Aperto Vetro II”, (cat.) Lausanne, Espace Arlaud, “ In Saerch of Clear Lines” (P) 1998 Sars Poteries, Musée Atelier du Verre Sars Poteries (P) New York, Gallery Barry Friedman, “ In Search of Clear Lines” (P) 1997 Zürich, Museum Bellerive (P) Den Haag, Gallery Rob van den Doel (P) Pontiac, 25th Annual International Invitational, Habatat Galleries, (cat.) London, Stair & Company, Avenches, Les Galeries du Château (P) Paris,Galerie l'Eclat du Verre (P), (cat.) 1996 Hamburg, Gallery L (P) Pontiac, “24th Annual International Invitational”, Habatat Galleries, (cat.) Hergiswil Glasi (P) Venezia, Galleria San Nicolò (P), (cat.) Venezia, "Venezia Aperto Vetro", (cat.) München, Galerie Waldrich (P) 1995 Zürich, Sanske Galerie, “Murano-Nonfoux, collaboration with Lino Tagliapietra” Laren, NL, Singer Museum, with Gallery Rob van den Doel(P) Venezia, “A Venitian Love Affair”, (New Glass a Venezia), Galleria Marina Barovier (cat.) Martigny, “Venitian Tendencies”, Fondation Louis Moret (P) Genève, Baldwin/Guggisberg, Centre des Arts Appliqués(P) 1994 La Robellaz, Gallery Garance (P) Venezia, Zitelle, “Trasparenze d'Arte” (cat.) Nonfoux, “Murano-Nonfoux, collaboration with Lino Tagliapietra”, video, filmed and edited by Alex Erik Pfingsttag 1993 Den Haag, Galerie Rob van den Doel (P) Zürich, Rennweg Galerie (P) Bremen, Kito (Monica Borgward) 1991 Bruxelles, Galerie Transparence, with Floris Meydam Lausanne, Musée des arts décoratifs (P) (cat.) Zürich, Maya Behn Gallery (P) Düsseldorf, Galerie Ingrid Mensendiek (P) 1990 Zürich, Maya Behn (P) 1989 New York, New Glass Gallery (P) Lausanne, Musée des arts décoratifs, “Autour de la table”, travelling exhibition : Zürich, Museum für Gestaltung, Leuven, Museum Van Humbeeck-Piron (cat.) Frankfurt a.M., Galerie Gottschalk-Betz (P) Genève, Galerie Trois (P) Lausanne, Musée des Arts décoratifs, “Expression en verre II”,Acquisitions 1987-1989 (cat.) 1988 Kanazawa, Messegelände, “The International Exhibition of Glass Craft 1988” (cat.) Sapporo, Hokkaido Museum of Modern Art, “World Glass Now '88”, travelling exhibition : Shimonoseki, Shimonoseki City Art Museum; Tokyo, Daimaru Grand Hall; Gifu, The Museum of Fine Arts; Osaka, Daimaru Museum (cat.) Zürich, Margrith v. Castelberg-Stutz (P) Lausanne, Midi-Pile (P) 1987 Hamburg and Berlin, Rosenthal Studio-Haus (P) Arnheim, NL, Galerie Arti-Choque (P) 1986 Genève, Galerie Trois (P) Köln, Glasgalerie (P) Lausanne, Musée des arts décoratifs, “Expressions en verre 1'200 sculptures contemporaines”, Europe, USA, Japon cat.) Liège, Générale de Banque, “Contemporary Western European Sculptures in Crystal and Glass” (cat.) Zürich, Schweizer Heimatwerk, “Schweizer Glas '86” 1985 Coburg, Kunstsammlungen der Veste, “Zweiter Coburger Glaspreis für moderne Glasgestaltung in Europa” (cat.) Horgen, Galerie Heidi Schneider, “Glaskünstlerinnen aus Europa” (only M.G.) 1985 Luzern, Glas-Galerie (P) München, Kunst in Glas GmbHwith Wilke Adolfsson Paris, Galerie Quartz, with W. Adolfsson and M.Bouchard Rouen, Musée des Beaux-Arts, “L'art du verre, Actualité Internationale” Stuttgart, Kunsthaus Schaller (P) 1984 Boston/MA, David Bernstein Gallery (P) Bremen, Galerie Monica Trüjen (P) Düsseldorf, Galerie Ingrid Mensendiek (P) Genève, Galerie Kara (P) Luzern, Kornschütte, “Skulpturen in Glas, Situation 1984”,Glas-Galerie (cat.) Miami/FL, Center for the Fine Arts, “Glass that Works”(cat.) Saint-Emilion, Syndicat d'initiative, “Art Verre Vin” 1984 Strasbourg, Galerie Paskine de Gignoux, “Verre contemporain en Europe “(cat.) 1983 Alkmaar, Galerie Het Glashuis Bern, Käfigturm, “Vitrine 83” Lausanne, Château de Renens, (P) München, Galerie Nordend, (P) Winterthur, Gewerbemuseum, “Schweizer Handglashütten heute” Zürich, Schweizer Heimatwerk, “Schweizer Glaskunst” Zürich, Galerie Margrith v. Castelberg-Stutz (P) 1982 Lausanne, Galerie Bellefontaine, “European Studio Glass '82”, (cat.) Nonfoux, Verrerie de Nonfoux (P) SelectedBibliography Books and Magazines Barovier, Rosa, “Baldwin & Guggisberg”, GLASS Nr.64, Fall ‘96, p.42-47. Baldwin, Philip, “Whatever Happened to the Decorative Arts”, G.A.S. Journal 1987, p. 24-25. Baldwin, Philip, “Glass as Design: Production studios in Europe”, New Work, Summer 1987. p. 18-20. Baldwin, Philip, “Collaboration with the Glass Industry” ,G.A.S. Journal 1991, p. 36-37. Bernard, Elodie, “Monica Guggisberg et Philip Baldwin”, Revue de la Céramique et du Verre, Nr 97, décembre ‘97, “p. 42-45. Berndt, Louise, " Seguendo la giusta Linea", VETRO, Anno IV N° 10, Gennaio, Marzo 2001.,p.12 -17. Casimo, Marianne, “Visite à Nonfoux du maestro de Murano LinoTagliapietra”, CCS-Bulletin 4/94, p 10. Collins, Carol, “Poetry in Glass”, Swiss News, No.5 May 1995, p.34-35. Finckenstein, Charlotte von, “ Wanderer zwischen verschiedenen Welten,” ART AUREA, Dezember, Januar 4/1996, p.48-53. Fischler, Rita, ” Suisse romande: La Verrerie de Nonfoux“, Schweiz, Suisse nr. 4. 1985, Zürich, p. 42-45. Forbes-Jaeger, Thérèse, “Guggisberg/Baldwin”, GRAPHIS 301, Vol 52, Jan/Feb 1996, p. 144. 152.153. Frantz, Susanne K, CONTEMPORARY GLASS, 1989, p. 71. Frantz, Susanne K, “Surface Tension”, CRAFTS, No.157 May/June 1999, p.28 - 33. Girard, Sylvie,“Monica Guggisberg et Philip Baldwin”, La Revue de la Céramique et du Verre, nr. 18, 1984, Vendin-le-Vieil, p. 19-21. Goldfine, Gil, "Blowing hot & cold", Jerusalem Post, Frday , March 2. 2001 Herbon, Bernd, “Gedichte aus Glas”, Architectural Digest, nr. 00002, Februar/März, 1999, München. p.24-25. Jaunin, Françoise, “Les Verriers de Nonfoux”, Revue de la ceramique et du verre N°72, septembre/octobre 1993 p. 24-27. Jaunin, Françoise, “Les avventuriers du verre soufflé à la recherche de la ligne pure”, 24-Heures, 4 novembre 1998 Klein, Dan, "Artists in Glass",2001, p. 18-21. Klein, Dan, “Glass: A Contemporary Art”, 1989, p. 130. 131. Klotz, Uta.M., “The Line is the Basic Unit of Beauty”, Neues Glas, 2/98”, p.14-19. Krienke, Mary, “Glass Bridge between North and South”, Rendez-vous Switzerland, IHT/June 1995, p. IX. Laroche, Frédérique, “Baldwin/Guggisberg”, reflets, No 2/1998 mars-Avril, p.22-23. Leier. Peters. Wallace.“Contemporary Glass”, 2001, p.126 Lippuner, Rosmarie, “Baldwin-Guggisberg” : La Revue de la céramiqueet du verre, 1989, nr. 46, p. 66.67 Lippuner, Rosemarie, “Les arts appliques d’aujourd’hui”, L’EVEIL CULTUREL septembre 1995,No 9, p. 19. Mignoli, Stefania,"Texture di Vetro", Elle Décor N° 12, Dicembre 2001, p. 73-74 Preiswerk-Lösel, Eva-Maria “Ars Helvetica VIII” Arts précieux, Arts Appliquées. p.143-145 .Rabagliati, Sonia, “Celebracion del Vidre”, Diseno , Juli-August 1991, Chile, p. 52-55. Ricci Lempen, Silvia, “L’honneur retrouvé de l’art verrier”, Journal de Genève, 15. Juillet 1994 Ricci Lempen, Silvia, “ Les verriers de nonfoux subliment la beauté dans la vie de tous les jours”, Le Temps, 4 novembre 1998 Save, Colette, “Sars-Poteries Vivre le verre “, Verre & Création, n°13, décembre 1998, p. 4.5. Save, Colette, “ Monica Guggisberg, Philip Baldwin,Le verre fruité”, Metiers d’Art, n°196 – mars/avril 2001, p. 10 – 13. Save, Colette,"Gravure de l'Extrème", Philip Baldwin - Monica Guggisberg, La Revue de la Céramique et du Verre, nr. 124, 2002, Vendin-le-Vieil, p. 26 - 29. + couverture. Seince, Françoise, “Au rythme du verre”, Courrier des METIERS D’ARTS, n°177 janvier/février 1999, p 14. Seince, Françoise, Monica Guggisberg, Philip Baldwin, “Le verre fruité”, SEMA, Courrier des METIERS D’ARTS, n°196-mars/avril 2001, p.10-12 Tamborini, Susanne, “Am Anfang war die Form”, md2/1995, Leinfelden-Echterdingen D. p. 77-79. Thomé, Martine,“Magie du verre, rêves d’architecture”, L’Express, 10 octobre 1996 Walther, Silvie, “Wenn Sand Feuer fängt”, Ideales Heim, nr. 1. 1986, Zürich, p.28-34. Wettstein, Albert, “Duett in Glas”,HeimatwerkNr 1/1983p.24-31. Vollichard, Dominique, “Philip Baldwin et Monica Guggisberg”, Les Verriers Magnifiques, L’OEIL, nr. 376, Novembre 1986, Lausanne, p. 36-41. Yelle, Richard Wilfred, “Glass Art from Urban Glass”, 2000, p.84-86 Zabel, Mürra,”Zwischen Design und Raumgestaltung”, Neues Glas,No.4. 1985, Düsseldorf, p. 246-250 Exhibition and Collection Catalogues Bern, Collection cat, “Made in Switzerland” 1997, La Confédération et les arts appliqués, p. 162. Borgholms Slott Sweden, Exhib. cat. 1999, “Global Art Glass” Burgdorf , “Internationale Kunsthandwerkausstellung, 1985”, Coburg, “Zweiter Coburger Glaspreis für moderne Glasgestaltung in Europa”, 1985 Coesfeld-Lette, Glasmuseum Alter Hof Herding, Ensting Stiftung, Erwerbungen 1998-1999, p.9. Ebeltoft, Glassmuseum Ebeltoft, "Batutto 2002",Sculptures by Monica Guggisberg and Philip Baldwin, exhibition catalaogue 2002 Essen, Haus Industrieform Essen, Design Innovationen’87,p. 182. Genève, Coll. cat. Fonds de décoration et d’art visuel de l’Etat de Genève” 1992,p.51. Hadeland, Exhib. cat. “En verden I Glas 1997”, Hadeland Glassverk, p 6-7. Kanazawa Exhib.cat. 1988, p. 91. Kijkduin, “Boulevard des Sculptures”, 2001, p 10,11 Lausanne, Galerie Bellefontaine, “European Studio Glass” 1982 Lausanne, Clavien, Jean-Pierre, Jürg Nigg, “317 Kunsthandwerker der Schweiz”, 1983, p. 227, p. 130 Lausanne Coll. Musée des arts décoratifs Lausanne, “Expressions en Verre I”, 1987,p. 35, 88. Lausanne, Musée des arts décoratifs Lausanne, “Autour de la table “, 1989, Lausanne, Coll. Musée des arts décoratifs Lausanne, “Expressions en Verre II, 1989,p. 12, 58. Lausanne, Coll. Musée des arts décoratifs Lausanne, “Expressions en Verre III, 1989 - 2000, p. 38, 39. 74. Lausanne, Exhib. cat. 1991, ”Les Verriers de Nonfoux”, Musée des arts décoratifs Lausanne, Lausanne, “Fondation vaudoise pour la promotion et la création artistiques”, Exhib. cat. 1997, Espace Arlaud, Liège, Dr. Joseph Philippe, “Contemporary Western Sculpture in Crystal and Glass” Exhibition.cat. Générale de Banque, 1986,S. 171-174 w.Ill. London, International Design Yearbook 1988/1989, London, p. 156. London, International Design Yearbook 1992, London, p. 118-119. London, International Design Yearbook 1994, p. 134. London, International Design Yearbook 1995. p. 133 London, International Design Yearbook 1997 p. London, International Design Yearbook 1999 p. 83 London, International Design Yearbook 2000 p.153 Louisville, Kentucky, “Millenium Glass”, 2000 p. 2 Luzern, Kornschütte, “Skulpturen in Glas”, 1984 Miami, “Glass that works, The Fifth Arango Int. Design Competition, 1984, New York, Product Design 3 1989,p. 23. Nonfoux, catalogue 1987, “Guggisberg-Baldwin”, Introduction Yvonne Brunhammer. Paris,Galerie L’Eclat du Verre, “Philip Baldwin et Monica Guggisberg”Exhib. cat. 1997 Pontiac, Habatat Galleries, “The 28th Annual International Glass Invitational”, 2000 Pontiac, Habatat Galleries, “The 29th Annual International Glass Invitational”, 2001, p.10.12. Rouen, Museum of Fine Arts, “L’Art du Verre”, 1985 Sapporo Exhib.cat, World Glass Now’88, 1988-1989, p. 185, nr. 1-3 w.III Strasbourg, Gallery Paskine de Gignoux,“Verre Contemporain en Europe” 1984. Stuttgart, Exhib.cat., Europäisches Kunsthandwerk ’88, p.236. Tel Aviv, Eretz Israel Museum, “hot glass-cold glass” Monica Guggisberg&Philip Baldwin, Exhib. cat. 2001 Tokyo, Yamaha, Glass Now’88, 1988 p. 52. Venezia, Zitelle, 6/9 Maggio ‘94, “982 Trasparenze d’Arte a Venezia”, Exhib.cat. p. 56. p.57. Venezia, Gallery Marina Barovier “New Glass a Venezia”, Exhib.cat Venezia, 7-31 octobre 1995, Venezia, Gallery Marina Barovier, Exhib.cat. “A Venitian Love Affair”, Venezia, Venezia, Galleria san Nicolò, “Philip Baldwin e Monica Guggisberg alla Galleria San Nicolo.” Exhib.cat. 1996 Venezia,“Venezia Aperto Vetro 1996”,Exhib.Cat p.97. p.20 Venezia, “Venezia Aperto Vetro 1998”, Exhib. Cat p.55. p. 151.158. Zürich,Coll. Museum Bellerive, “Glas 1”, 1993, p 89. 156. |
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